Pan American Art Projects is pleased to announce The Future of America, an exploration into the diverse and dynamic narratives that shape the destiny of the United States, now that the electoral process has polarized America more than ever. Curated by Analya Meneses Imber and Claudia Taboada, this exhibition aims to accompany a current event that has been developing for several years with previous candidacies. Against the backdrop of impending elections, this exhibition serves as a poignant reflection on the myriad possibilities and challenges that lie ahead for the nation. Drawing inspiration from the notion of America as a melting pot, this exhibition celebrates the tapestry of cultures, traditions, and perspectives that converge within its borders. From the shores of Ellis Island to the bustling streets of metropolitan hubs, America stands as a beacon of hope and opportunity, welcoming individuals from every corner of the globe.
As we stand on the threshold of a new era, “The Future of America” challenges us to envision a nation that lives up to its founding ideals of liberty, equality, and justice for all. Through a diverse array of artistic mediums, each artist offers a unique interpretation of the American experience. “The Future of America” works as a platform for critical dialogue and introspection. Addressing pressing issues such as social justice, environmental sustainability, political reform, and economic equity, the exhibition sparks conversations about the challenges facing the nation and the pathways toward a more equitable and inclusive future.
Pan American Art Projects is pleased to announce Lux Arcana, a solo show by Miami-based artist Carlos Estévez, where light becomes a symbolic resource to unveil the complex narratives of hidden knowledge.
Curated by Claudia Taboada, the exhibition visually engages the viewer through the neologisms created by the artist in his sculptural objects, paintings, and drawings. Estévez’s work resonates with themes present in literary and philosophical texts that explore the pursuit of “inner light” or “hidden illumination.” References such as Dante Alighieri’s
“The Divine Comedy,” where light guides the protagonist towards the revelation of transcendental truths, and hermetic and alchemical literature, with its emphasis on light and esoteric knowledge, exemplify how light has been symbolically used to explore the unknown and the mysterious.
The hybrid composition of the works, their interrelationships, and the taxonomic definitions turn the exhibition into a grand wunderkammer or cabinet of curiosities. The phrase “lux arcana,” derived from Latin, can be interpreted as hidden knowledge, esoteric wisdom, or deep truths that are not immediately visible but lie beneath the hermeneutics of the artwork.
Pan American Art Projects is pleased to announce Poetic Incongruities, a solo exhibition by Cuban artist Luis Cruz Azaceta. This exhibition will showcase a collection of Azaceta’s most compelling works, capturing the essence of his thought-provoking artistic journey. Luis Cruz Azaceta, a celebrated Cuban-American artist, is renowned for his powerful and emotive art that explores themes of exile, displacement, and identity. “Poetic Incongruities” brings together a selection of his paintings, drawings, and mixed-media works that highlight the contradictions and complexities of the human condition. Azaceta’s work is characterized by its vibrant colors, dynamic compositions, and poignant subject matter. His art often addresses social and political issues, reflecting his own experiences as an exile and the broader human struggle for freedom and dignity.
Through his unique visual language, Azaceta creates a space where beauty and brutality coexist, inviting viewers to engage with the incongruities of life. Poetic Incongruities will feature key works from his extensive career, including pieces from his well-known series on the Cuban diaspora, as well as newer works that break in visuality but continue to explore themes of conflict and survival. Azaceta’s distinctive use of color often evokes the SMPTE color bars of old televisions, creating a striking visual incongruity. These bright, joyful hues create a striking contrast with the often controversial and somber subjects he addresses. This juxtaposition not only captures the viewer’s attention but also deepens the impact of his commentary on societal issues, making the clash between form and content a powerful tool in his artistic expression.
Pan American Art Projects is pleased to announce the upcoming exhibition of renowned Canarian artist Carlos Nicanor, titled The skein of the soul, curated by Greisa Gutiérrez and Claudia Taboada. This exhibition offers a profound exploration of the human essence through Nicanor’s interactive installation, sculptures and drawings, and marks a significant milestone in his career. It is a self-referential exhibition. This exhibition is a heartfelt testimony of the artist’s journey, showcasing his vibrant works from Tenerife to the US for the very first time.
Carlos Nicanor, a sculptor from the Canary Islands, seamlessly blends the surrealist legacy of André Breton, the dadaist movement, and the word-object concept of Joseph Kosuth with the rich heritage of Canarian artisans. His work defies the physical limitations of materials, transforming wood, metal, threads, and paper into almost impossibly smooth, organic, and autonomous forms. Nicanor’s sculptures challenge both the physics of the materials and human sensitivity, reminding us that art is born from the handmade, evolving at a pace distinct from contemporary life.
The artist’s work is a testament to the duality of form and word, using irony and sarcasm as playful yet profound tools. His installations, like Icor (2020), transform spaces into mythological realms, engaging viewers both physically and intellectually. They invite (or not) the public to penetrate that swarm of threads turned into arteries. They are the metaphor of penetrating the human body viscerally, reading it from the inside, rediscovering it from its bone, soul, and poetry. Nicanor’s ability to expand traditional materials into contemporary gestures places him alongside notable artists like the Cuban collective Los Carpinteros and American sculptor Martin Puryear.
Pan American Art Projects was established in 2001 with the mission to exhibit and promote established and emerging artists from North, Central and South America, providing a context for dialogue between the various regions. We represent a strong roster of contemporary artists of the Americas and hold a collection of important works from Cuba, Argentina, the U.S. and the Caribbean. Our programming reflects these complementary arenas providing a comprehensive historical context for contemporary tendencies in the visual arts from these regions.
The gallery was born from the personal collection of our owner, Robert Borlenghi, who as a founding member of MOCA Los Angeles made his first trip to Haiti in 1990 and found many great artists that were relatively unknown to collectors in the U.S. He made it his mission to collect and exhibit underrepresented artists from Haiti, Jamaica and later Cuba. This mission then transferred to our gallery when we opened in Dallas in 2001, when we began adding actively represented artists from North and South America.
Open to all visitors from 11—4 pm. Progressive Art Brunch brings together participating galleries several Sundays throughout the year. The event highlights the current programming at each venue and enables visitors a more intimate look at the exhibitions on view.
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