Although the term camp was informally used in 19th-century Anglo-Saxon slang to describe an affected or extravagant pose, it was Susan Sontag who, in her essay Notes on “Camp”, solidified this concept as an desthetic sensibility that values the exaggerated, the theatrical, as well as stylization and eccentricity-distinguishing it from other forms of art and aesthetics.
In the paintings that make up Silly Little Life, this is evident in the grotesque grimaces of close-up faces, the expressions of pleasure and discomfort of its protagonists, as well as their deformed hands and always heavy bodies. In the depiction of flesh, there is a libidinous, sad, and, at times, pathetic quality. These traits are also noticeable in objects: mirrors, plates, clips, and furniture in general adopt this attitude. They neither hide nor disguise reality; on the contrary, they overlook decorum, beauty, and any stable value or form. These are bodies that descend into the intimacy of a room, bathroom, or kitchen, embodying the repose brought on by the pleasure of sexual release. They are not, in fact, lucid or daring characters; instead, they are figures projected as weakened, relaxed, and often fractured.
Although it has been stated that Mara Faundez’s interest lies in crafting a narrative from the anecdotal and that her figures respond to different versions of herself, her characters embody a disquieting, voluptuous, and obscene distortion that transcends mere anecdotes and biographical experiences. The scenes and their characters, while retaining something of a private code or a symbol of identity, are susceptible to dual interpretation. They belong to another order, to a second nature. Their gestures, as well as their intentions and identity traits, are full of duplicity; they are naive yet perverse, somewhat androgynous, offensive yet seductive.
Tomas Redrado Art (TRA) is committed to advancing the appreciation of contemporary art through a dynamic and historically rooted aesthetic. Our mission is to elevate the global recognition of Latin American, Caribbean, and local (Florida) artists, while establishing Miami as a premier international cultural destination.
TRA challenges conventional perspectives, encouraging exploration of innovative and provocative art forms. We prioritize the artist’s creative autonomy, fostering an environment where breaking norms and engaging deeply with audiences are central to our approach. Based in Miami, TRA seeks to invigorate the local art scene through meaningful dialogue with the international art community.
Our collaborations with leading institutions and authorities, including the ICA, Fountainhead, the Miami Downtown Development Authority, and Miami-Dade County officials, are integral to our mission. These partnerships enable us to promote and critically engage with contemporary art on a global scale, contributing significantly to Miami’s vibrant cultural landscape.
Open to all visitors from 11—4 pm. Progressive Art Brunch brings together participating galleries several Sundays throughout the year. The event highlights the current programming at each venue and enables visitors a more intimate look at the exhibitions on view.
Sign-up for our mailing list.
