Piero Atchugarry Gallery is pleased to announce We Didn’t Know We’re Ready by Tunisian artist Nadia Kaabi-Linke, curated by Silvia Cirelli. The expressive journey of
Kaabi-Linke delves into the complexities of human nature revealing an “architecture of pain” marked interdependent power dynamics and the struggles of mankind’s vulnerability. Her work shows how people are affected by power, memory, and vulnerability. Memory is central to her work — it’s the starting point for telling both personal and collective stories. Her artworks act like emotional records, helping us understand hidden parts of our culture today.
The title chosen for Kaabi-Linke’s Miami debut solo exhibition goes exactly in this direction, it is an invitation to encompass time fluidity, to better understand the evolutionary codes of our living. We Didn’t Know We’re Ready, deliberately embraces a grammatical slip, blending verb tenses to highlight the constant convergence of yesterday and today This temporal dissonance becomes conceptual tool, a transversal narrative that invites a comprehensive reading, where each artwork acts as an emotional archive, a mosaic of confessions that reflects and translates the codes of contemporary culture. It is on this metaphorical bridge between past and present that the artist projects her own cultural space.
The complex relationship between artistic research and historical testimony unfolds through the evocative installation Blindstrom for Kazimir, inspired by Kazimir Malevich, a Ukrainian artist often wrongly labeled as Russian. Like many Ukrainian artists, Malevich suffered censorship. Kaabi-Linke honors these artists with black panels that represent missing or destroyed paintings, showing the damage caused by political violence.
Cracks in the panels resemble wounds, revealing a deep sense of loss.
Another work, No One Harms Me Unpunished (2012), is based on a Scottish legend. A Viking raid was stopped when a warrior stepped on a thistle and cried out in pain, warning the locals. The thistle became a symbol of resistance.
Kaabi-Linke places real thistles on a mattress frame, symbolizing the pain and abuse that are often hidden in everyday life, especially in intimate spaces.
In Protected Area (2025), a bench covered with sharp bird spikes makes it impossible to sit. What’s usually a place to rest becomes unwelcoming. This sculpture speaks about how public spaces are becoming more exclusive and less inviting, highlighting issues of social exclusion.
Tackling issues related to geopolitics, migration, identities and violence, Nadia Kaabi-Linke captures the collective memory and offers it to the viewer, urging them to share and participate in the emotion. An emotion that exposes a silent suffering. “The invisible violence, present or past, is active even if we don’t see it or decide to look away from it,” she states, “but like the unconscious, sooner or later the covered truth will come up to the surface and be acted out while controlling us simultaneously.”
Nadia Kaabi Linke (b. 1978, Tunis) is a multimedia conceptual artist based in Berlin. After graduating with an MA from the Tunis School of Fine Arts, she received a PhD from the Pantheon Sorbonne in Paris. Growing up between Tunis, Kyiv, and Dubai, her personal history developed through the migration across cultures and borders that greatly influenced her artistic practice. Her work gives physical presence to that which tends to remain invisible in contemporary societies, be it people, structures, or the geopolitical forces that shape them. In a visually powerful way, she straddles beauty and violence, refinement and brutality, as well as the sublime and the vulgar, engaging the viewer in the play of conflicting forces of fear and attraction, repulsion and desire.
Piero Atchugarry gallery presents a contemporary art program and modern art survey. The gallery opened to the public in September 2013 with a Post-War Italian art exhibition. By January 2014 the gallery moved to a large stable adapted as an exhibition space in Garzón. In this space the program allowed outdoor and indoor proposal exploration, through the creation of dialogue between architectural features and curatorial practices.
On December 2018, the program expanded to North America with a second location, a 9000 square feet warehouse on 5520 NE 4th Avenue in the Design District neighborhood. The participation of the gallery in what is a boiling art community that connects Europe, Latin America and both coasts of the United States represents the commitment of the program to support and present the work of local and international artists with an institutional approach.
Open to all visitors from 11—4 pm. Progressive Art Brunch brings together participating galleries several Sundays throughout the year. The event highlights the current programming at each venue and enables visitors a more intimate look at the exhibitions on view.
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